The Globe Series
Applications • Specifications • Accessories • Additional Images
"The Globe" Series of cardioid studio microphones are designed for world-class recording situations
where sound quality and musical character is of utmost importance. "The Globe Standard" is tuned for a
classic, wide-spectrum microphone sound ideal for instrument or orchestral applications.
"The Globe Vintage" uses a different dual-diaphragm capsule providing a sweet and warm, vintage vocal
microphone sound.
Both models utilize an isolated spherical head assembly constructed of brass mesh
for maximum acoustical transparency. The large dual-diaphragm true electrostatic condenser capsules
use the highest quality 6-micron Mylar film. The diaphragms are tensioned and adjusted on precisely-
made brass backplates and sputtered with a special-formula gold mixture. This process gives a faster
impulse transient response without sound coloration or low-frequency reduction and adds the ability
to handle louder sound pressure levels.
The internal solid state preamplifier of the microphone is a Class 'A' fully discrete
transformerless circuit, built using only the highest quality components. The circuit is designed to
achieve the highest audio standards and provides a flat frequency response, high dynamics, low self-noise,
and very low audio distortion of all types. "The Globe" should be used with high quality, regulated 48V
phantom power. Rugged microphone construction and 2 internal shockmounts (one for the capsule and one
for the electronics) effectively reduce stand rumble, outside infrasonic interference and mechanical shocks.
Applications:
"The Globe" is an excellent choice for studio recording of vocals, piano,
guitars, drums, percussion, strings, wind and most other sound sources. "The Globe
Standard" model is especially good for articulated female vocals and other full range
lead sounds. "The Globe Vintage" has a warmer lead tone and is ideally suited for
close male vocals. When used for vocals, close miking from 1/2" to 4" generally
achieves the best results, so we recommend the use of metal or foam pop filters for pop protection. The
fast impulse transient response, crystal clear highs and high SPL handling make it excellent for recording
drums; especially for snare drum, overhead and hi-hat. It is also excellent on piano, electric and acoustic
guitars, bowed strings, and brass instruments.
Specifications:
| Diaphragm's Diameter (inch/mm) |
1"/26 mm |
| Polar Pattern |
Cardioid |
| Output Impedance |
50 ohms |
| Rated Impedance |
1000 ohms |
| Suggested Load Impedance |
> 250 ohms |
| Frequency Range |
20 Hz to 20 kHz |
| Sensitivity @ 1000 Hz |
19 mV/PA |
| S/N Ratio CCIR 468-3 Weighted |
76 dB |
| S/N Ratio DIN/IEC 651 A-weighted |
87 dB-A |
| Equivalent Noise Level |
7 dB-A |
| Maximum SPL (<0.5% @ 1000 Hz) |
134 dB |
| Preamplifier's Dynamic Range |
127 db |
| Electronics Type |
SS |
| Powering +48V Phantom or PSU |
PH |
| Polarity |
pin 2 in phase |
| Output Transformer |
N |
| Output Connector |
XLR-3M |
| Dimensions (inch/mm) |
8.66 x 1.73"/220 x 44 mm |
| Weight (lbs/grams) |
12.3 oz/350 g |
| Included Accessories |
Microphone comes in a solid wooden box, with a GSM
shockmount and a manual. |
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Frequency Charts:

Optional Accessories:
Additional Product Images:
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